The Sandalwood Trade

Sandalwood was a trade item of considerable value in antiquity. Chau Ju-Kua (Zhao Rugua) stated concerning yellow (or "white") sandalwood (Santalum album) in the 12th century that "in burning it surpasses all other incenses."

In China and India, and generally among Buddhists and Hindus, sandalwood was prized as an aromatic, for carving, and as a medicine. The wood has been an important material for sacred sculpture among Buddhists and continues to be an important component of incense throughout East and South Asia.


Yellow Sandalwood

Santalum album was the primary sandalwood used in the ancient and medieval trade and was known as yellow or white sandalwood. The species is native from eastern Java to eastern Indonesia and was particularly abundant, in former times, in the islands of Timor and Sumba.

Timor appears to have been the main source of sandalwood prior to European colonization. Pigafetta exaggerated when he said "nowhere else is white sandalwood found" speaking about the island of Timor. De Orta stated that yellow sandalwood grew in Timor "where it is in greatest quantity and called chandam and is known by that name in all the lands around Malacca."

There is some confusion over whether Santalum album is native to South India. Early in the 20th century, C.E.C. Fisher, after studying the distribution and historical diffusion of the species, suggested that sandalwood was introduced into India during the pre-Christian era, and that it had to be reintroduced periodically. Fisher noted that yellow sandalwood in South India grew almost exclusively around villages or abandoned village sites. In other words, the sandalwood trees did not appear to grow in the wild.

Early Europeans like Duarte Barbosa, Cesar Fedrici, Ralph Fitch and Jan Huyghen van Linschoten, writing from the early to late 16th century, all agreed that Santalum album while in great demand in India, was generally shipped in from Timor. Barbosa, Fedrici and Rheede's Hortus Indicus Malabaricus all expressly suggest that yellow sandalwood did not grow in India.


Although yellow/white sandalwood is mentioned in both India and China in ancient times, the mention of Timor occurs only during the Sung Dynasty when it was called Ti-wu. Later in Ming times, Timor is known mostly as Ti-wen. This has brought up the question as to whether the ancient yellow sandalwood actually referred to some other wood like fragrant red sandalwood (Pterocarpus santalinus). However, the general lack of any literary evidence suggesting a medieval replacement of the ancient product; the description of yellow sandalwood and its unique properties, and the hoary differentiation of different types of sandalwood support the common view that Santalum album was traded in antiquity.


Medieval trade routes

As mentioned previously, including in the last blog post, Sanfotsi (Sanfoqi) had established something of a monopoly in sandalwood during at least some period of the Sung Dynasty.

However, a number of countries are listed in Sung sources as entrepots, possibly secondary to Sanfotsi, including Fo-lo-an and Tan-tan, both apparently located somewhere on mainland Southeast Asia.

Timor itself according to Sung sources was a dependency of Toupo, so Sanfotsi seems to have mainly acted as an entrepot for countries beyond this region. In Yuan times, both Sanfotsi and Toupo apparently disappear. At that time, Mindanao may have taken over the trade as successor to Toupo if we accept such an identification for the Yuan Dynasty country known as Min-to-lang.

Mindanao, possibly the Maranao and Cotabato nations, Butuan and Sulu were perfectly positioned to trade with areas like Maluku for cloves, nutmeg and mace; and with Timor for sandalwood. In latter times, they appear to have been middlemen for these southern areas in the trade with the northern entrepot of Luzon. From Luzon, these products reached the rest of Asia. This also seems to be the case during the Sung Dynasty with Toupo transferring the southern aromatics to the Sanfotsi entrepot.

During Spanish times, Luzon continued to act as an important sandalwood trading post, but with Santalum album going extinct in Timor, Pacific sandalwood species, particularly from Fiji, came into play in the Manila marketplace.



Sandalwood, princesses and goddesses

Sandalwood has an interesting connection with two goddesses -- Kuan-yin and Tara -- the two deities thought by many scholars to have a common origin.

Both Kuan-yin and Tara are viewed as emanations, forms, or as the female aspects of the god (Bodhisattva) Avalokitesvara by Buddhists. Both goddesses are seen as protectors of seafarers against harm from the ocean. Both have strong Tantric links, and both are specifically connected with stories of their origin in Southeast Asia.

Tara, and to a lesser extent, Kuan-yin are often placed in the island of Potala in the "Southern Ocean." On this island is said to be a famed sandalwood forest. In Tibetan tradition, the goddess is particularly associated with this forest in the form "Tara of the Sandalwood Forest."

There was also a Sandalwood Forest located in or south of Shambhala in Tibetan Buddhist texts, so there may be some conflation or confusion between the locations of Potala and Shambhala.

In the medieval Sadhanamala and the 6th-7th century Astanga Samgraha, a Tantric adept known as Nagarjuna, possibly referring to the great Mahayana philosopher of the same name, is said to have brought Tara and the alchemical mineral mercury from across the sea into India. This Tara, or rather worship of Tara, is known as Mahacina-tara, "Tara from Mahacina."

While the location of Mahacina may have been confused and used differently at times, I have noted earlier in this blog that the evidence points to its primary and most common usage was to describe and area extending through and including Tibet and mainland Southeast Asia. One Tara myth found in Hindu Tantrism claims that the goddess arises from the Milky Ocean -- when that sea was churned by the Gods and Demons. This Milky Ocean was also viewed geographically as far to the east of India. In the Ramayana, when the Varanas search for Sita in the eastern regions they travel through the Milky Ocean and related areas like the Golden Isle.

Likewise, Kuan-yin in her early form is known as Kuan-yin-Nan-hai or "Kuan-yin of the South Seas," a reference to the region of Southeast Asia.

There is even a story that Kuan-yin originated from an actual Buddhist princess that lived in a kingdom south of China called Hsing Lin. The text containing this story dates to the mid-12th century and is derived from materials about 150 years older. The story, however, is said in the text to take place during the time of the 7th century BCE monk Tao-hsüan.

The southern kingdom, according to this account, was said to stretch from India in the West to Fo-ts'i (佛齊)in the East. It was at Fo-ts'i that the princess known as Miao Shan, and also as "South Seas Kuan-yin" and "Kuan-yin with the Horse Head" was born.

The land known as Fo-ts'i 佛齊 may be a shortened reference to what later is known as San-fo-ts'i or 三佛齊.

Sanfotsi, as noted, was an important country in the sandalwood trade. One of the empire's dependencies known as Fo-lo-an was also described as a sandalwood entrepot. Now the Miao Shan story states that the princess became a staunch Buddhist, but had a falling out with her father, the king. She was said to have taken refuge at a Buddhist monastery, which in the Chinese story is located in China.

However, there is some evidence that this location may have been in Fo-lo-an, thus explaining the connection with the Southern Seas (Nan-hai).

According to Chau Ju-Kua, the Sanfotsi princes made a journey to offer incense to a "Holy Buddha" in Fo-lo-an during the Full Moon of the 6th month. The Ming encyclopedia known as the San-tsai Tu-hui describes this "Buddha" instead as two copper goddesses whose birthday was celebrated again on the 15th day of the 6th moon. This same day of the 6th month was said by Chau Ju-kua to be a good day for return voyages to China from places like Fo-lo-an and Poni, i.e., the summer monsoonal winds blew ships toward the north. The goddesses are mentioned as protecting Fo-lo-an from threats, i.e., pirates, that come from the sea.

Now in some locations of China, Kuan-yin's festival was held on the 19th day of the 6th month, so quite close to the date mentioned by Chau Ju-kua and the San-tsai Tu-hui. Also, in some locations of Tibet, like Kham, during the summer retreat known as Yarney that begins on the 15th day of the 6th month, people worship and thank Tara by making the Four Mandala Offering. According to Nagarjuna, "in the sixth month one consorts with the divine women of the gods."


Tara images

The text of the San-tsai Tu-hui also contains two engravings that are said to resemble the form of "Kuan-yin with the Horse's Head." The images have three heads with the horse head placed on a triple crown. De Groot also noted that the goddess figures matched that of Mat-tsu-po, a form of Miao Shan.

Chau Ju-Kua mentions two Buddhas that came flying in to Fo-lo-an, one with four arms and one with six arms. The form of Kuan-yin addressed here is known in two principal forms, four-armed and six-armed, so we can say with some certainity that these goddesses of Fo-lo-an were representations of Kuan-yin/Tara.

Fo-lo-an is mentioned as belonging to the Western Ship Route along with Annam and Cambodia. This would seem to indicate the Upper Coast of Indochina, a noted source of cinnabar and mercury, but other notices may suggest a location further down the coast possibly in modern day Malaysia or Thailand.

If we take the story of the princess as historical, then it would appear that a Fo-ts'i, i.e., Sanfotsi princess went to Fo-lo-an to practice Buddhism in a monastery. The latter country was a sandalwood trading partner with Fo-ts'i. Latter on after the death of the princess, Sanfotsi princes continued to come to Fo-lo-an during the summer (6th moon) to offer incense to icons of the ancient, probably related princess.

Tibetans also have a story of a princess known as Yeshe Dawa who embraces Buddhism and later becomes the goddess Tara. In connection with the sandalwood trade, according to a Buddhist story that explains Tara's role as sea goddess, a ship from the Isle of Jewels, loaded with a cargo of jewels, and one from the Isle of White Sandalwood, loaded with white sandalwood, were saved by Tara after a Buddhist layperson on board one of the ships prayed to the goddess. Note that the goddesses of Fo-lo-an also had a protective function against sea threats.

Thus, it can be suggested that at one time during the sandalwood trade when San-fo-ts'i and Fo-lo-an enjoyed a close relationship, a princess estranged from her father, the king, left to practice Buddhism on Fo-lo-an, somewhere on mainland Southeast Asia. In the story, she reconciles with her father later on, thus, explaining possibly the pilgrimage of the Sanfotsi princes to Fo-lo-an to offer incense to the images of the goddess. From Fo-lo-an, i.e., Mahacina, the goddess travels East and West as Tara and Kuan-yin. Nagarjuna is said to be the one that carries this form of worship to India. This goddess becomes closely associated with the Sandalwood Forest, an allusion to the ancient sandalwood trade.


Regards,
Paul Kekai Manansala
Sacramento

References

Beyer, Stephan. The cult of Tārā: magic and ritual in Tibet. Berkeley [u.a.]: Univ. of California Pr, 1978.

Cordier, Henri, Gustaaf Schlegel, Edouard Chavannes, Paul Pelliot, J. J. L. Duyvendak, and Paul Demiéville. Tʻung pao. Tʻoung pao. International journal of Chinese studies. Leiden: E.J. Brill [etc.], 1890, 402-6.

Donkin, R. A. Between East and West : the Moluccas and the Traffic in Spices Up to the Arrival of Europeans. Memoirs of the American Philosophical Society, 248. Philadelphia, PA: American Philosophical Society, 2003, 13-18, 160-2.

__. Dragon's Brain Perfume: An Historical Geography of Camphor. Brill's Indological library, v. 14. Leiden: Brill, 1999.

White, David Gordon. The Alchemical Body: Siddha Traditions in Medieval India. Chicago: University of Chicago Press, 1996, 65-6.

Willson, Martin. In praise of Tārā: songs to the saviouress ; source texts from India and Tibet on Buddhism's great goddess. Women's studies. Boston, Mass: Wisdom Publ, 1996, 181-2.

Zhao, Rukuo, Friedrich Hirth, and William Woodville Rockhill. Chau Ju-Kua: His Work on the Chinese and Arab Trade in the Twelfth and Thirteenth Centuries, Entitled Chu-Fanchï. New York: Paragon Book Reprint Corp, 1966.

Serlingpa: King of Suvarnadvipa

I have written previously about the introduction of the Kalacakra, the highest Tantric practice in Tibetan, Mongolian and Nepali Buddhism, into India from Shambhala.

Shambhala is equated with the kingdom known in Indian texts as Suvarnadvipa, and the agent who introduced the Kalacakra was none other than the Shamhbala king known as Kalki Sripala.

The mysterious kingdom of Shambhala gave rise to the fabled land known as Shangri-la from the 1933 novel Lost Horizon by British author James Hilton, and Shambhala has become focal point in many modern Western esoteric traditions. Madame Blavatsky and Nicholas Roerich, for example, emphasized the importance of Shambhala.

Shambhala became an important part of the "Great Game," the political intrigues particularly of the 19th and 20th centuries. The Russian imperial family including the Tsar had befriended the Lama Agvan Dorzhiev, who claimed that the Romanovs were the kings of Shambhala. Dorzhiev raised the suspicions of Lord Curzon, Viceroy of India, who thought that Russia might be conspiring with Central Asian nations to undermine British interests in India.

Baron von Ungern-Sternberg an anti-Bolshevik rallied Mongolians to fight the Soviet armies with the promise that they would be reborn in Shambhala. And during World War II, the Japanese after taking Inner Mongolia in 1937 attempted to gain Mongolian allegiance by claiming that Japan was Shambhala.


Serlingpa and the Kalacakra

Geshe Sopa, John Newman and others have suggested that Sripala is the same person known in Tibetan texts variously as Pindo (Pito), Dharmakirti, Dharmapala and Suvarnadvipi ("one from Suvarnadvipa.) The latter name is rendered in Tibetan as Serlingpa or Gserlingpa.

Serlingpa is described as a prince of Suvarnadvipa, while Sripala is listed in Kalacakra texts as the 17th king of the Kalki or Kulika (Tib: Rigden) lineage. Of all the kings of the ancient kingdom of Suvarnadvipa and its predecessors and successors, he is the best documented, and by a number of different traditions.

That Shambhala should be identified with Suvarnadvipa can be posited on a single argument as Tibetan texts describe the existence of the Kalacakra as only in Shambhala before it was introduced into India. The same tradition in some cases clearly suggests the existence of the Kalacakra in Suvarnadvipa without any explanation as to how it got there. And there is more than enough evidence to suggest that the Kalacakra was introduced to India from Suvarnadvipa, which would suggest that the latter is simply another name for Shambhala. Note these points:

In his history of Buddhism, Taranatha says that the Kalacakra was introduced into India by Pindo. Different sources claim that Pindo is one of the names of Serlingpa, the prince of Suvarnadvipa.

Atisha, the teacher who helped establish Buddhism in Tibet, says that he learned of the Paramadibuddha, the basic Kalacakra text, from the oral teachings of Serlingpa, who he also refers to as Pindo.

One of the oldest documents of the Tanjur, the second part of the Tibetan canon that consists of translations of older texts, is known as the Sri Kalacakra-garbhalankara. In the notes to a Peking manuscript of this text, authorship is ascribed to Pindo, "who was born in the land of the Southern Ocean." This ocean is generally associated with the world of Southeast Asia including Suvarnadvipa.

A prayer, from one of the two major lineages that have transmitted Tibetan Buddhism, and recorded by Bu ston calls on the blessings of "Kalki Sripala from the end of the Southern Ocean." According to this same lineage, it was Kalki Sripala who brought the Kalacakra to India.

According to both major transmission lineages, the Kalacakra came to India together with three major tantric commentaries. All three of these works cite the Paramadibuddha, the work taught to Atisha by Pindo , and two of them are called by names that Newman thinks can be translated as "a commentary according to the thought of Pindo."

From this evidence we can clearly see that: Serlingpa, who is also called Pindo and Kalki Sripala, is responsible for introducing the Kalacakra to India, and that he hails from Suvarnadvipa.

Some aspects of the Kalacakra philosophy may have begun filtering in during 966 or 967 CE, but the main texts and traditions, which did not exist in India previously, were likely brought to that country by Serlingpa in 1012, the date on which the main Kalacakra astronomical calculations used in Tibet are based. It may be that this two-stage transmission accounts for some differences that exist between the two major transmission lineages.

However, both lineages converge upon a person called Kalacakrapada the Elder, who according to the Rwa lineage inherits the Kalacakra doctrine from Pindo, while the 'Bro lineage has him receiving the knowledge from Kalki Sripala.


Archaeological evidence

Two sets of inscriptions from the Chola empire of South India may offer direct evidence of the existence of Serlingpa himself.

Known as the Larger and Smaller Leiden Grants, these inscriptions tell of a king of Suvarnadvipa who builds a Buddhist shrine at Nagapattana in South India in the name of his father Culamanivarman. The Chola king Rajaraja grants a village for the upkeep of this shrine in the 21st year of his reign, or about 1005 CE. Centuries earlier, a Suvarnadvipa king had erected a Buddhist sanctuary at Nalanda in eastern India in the time of the Pala king Devapala.

Now a work in the Tangur ascribed to Serlingpa states that it was written "on the request of king Sri Cudamanivarman, during the tenth year of the reign of Cudamanivarman, in Vijayanagara of Suvarnadvipa."

The Sanskrit name Cudamanivarman is written in Tamil, as in the Leiden Grant, as Culamanivarman. Now given that Serlingpa was alive in 1005, these two references must be referring to the same king of Suvarnadvipa. And as Serlingpa is a prince of Suvarnadvipa who later becomes king, Culamanivarman should have been his paternal ancestor.

Another manuscript of the Tangur found in Cordier's Catalogue calls the king Cudamanimandapa, while the Leiden Grant refers to the son who builds the Chola shrine as Sri Mara-Vivayottungavarman. So here again we see a variety of names as in the case of Serlingpa. The large number of names though is not unusual for royal personages who often have personal, throne, dynastic and other names usually as titles.

Now the names Cudamanivarman and Cudamanimandapa might both be titles derived from the old kingdom known as Cudamani probably referring to Coda or Chola territory. Varman means "protector" and is often appended to the names of rulers, while "mandapa" would probably mean a temple or similar structure. It may be that these names or titles refer to the political relations between Suvarnadvipa and the Cholas that are mentioned in Sung Dynasty annals and in the work of Chinese geographer Ma Tuan-lin and referring to this period. In those works, Suvarnadvipa is known as Sanfotsi (Sanfoqi).

The Sung annals state that the Sanfotsi king in 1003 sent envoys to China telling of a Buddhist temple that was built and said to be in honor of the Chinese emperor. This was very close to the time of the shrine built in South India, and the king at the time would have been Culamanivarman.

Previously we have mentioned that the king of Suvarnadvipa-Sanfotsi was during this period using a policy of attraction to help in protecting his kingdom's age-old control of the Clove Route. We also hear from a temple inscription in Canton dated 1079 that the "Lord of Sanfotsi" had contributed funds toward the upkeep of not only Buddhist, but also Taoist temples in South China.

According to Chinese records the throne would have passed from Culamanivarman to his son sometime befween 1003 and 1005 CE. Now when the teacher Atisha went to study under Serlingpa in 1012 or 1013, some sources call the latter "Lord of Suvarnadvipa," which could mean that he was the sovereign at the time. Thus, Serlingpa would have been the son of Mara-Vivayottungavarman, who was the son of Culamanivarman and the person who built the Buddhist shrine in Chola country.

Taranatha mentions that Pindo brought the Kalacakra to India during the second half of Mahipala's lifetime. Newman thinks this Mahipala must be the Pala king with that name who reigned between 988-1038, but it's not impossible that Taranatha is referring to Kalki Mahipala, the father of Kalki Sripala (Serlingpa) according to Kalacakra tradition.


Suvarnadvipa as learning center

As early as the T'ang Dynasty, Chinese texts tell of a renowned Buddhist learning center somewhere in Insular Southeast Asia.

The traveler I-Tsing (Yijing) describes this center in a place called Fo-hsi. The location of Fo-shi is important and he says that one travels there from Canton sailing toward the asterisms Yi and Tchen, which in the Chinese sidereal compass represent the directions between south-southeast and southeast. The explorer Kie Tan gives a detailed itinerary for the journey to Fo-hsi, which also locates it southeast of Canton. I-Tsing also calls Fo-Shi by the name Chin-chou "Gold Country," which is probably a translation of Sanskrit Suvarnadvipa.

Al-Biruni tells us that Suvarnadvipa was known among the Muslims as Zabag -- a location widely seen by geographers as referring to what the Sung Chinese called Sanfotsi. We can verifym using the works closest to the date of Serlingpa, that these locations agree with the directions given for sailing to Fo-hsi during the T'ang Dynasty.

For example, Mas'udi writing in 947 tells us that Zabag was located in the Sea of Champa, i.e. in the ocean adjacent to what is now known as Central Vietnam, and that beyond Zabag was a great ocean of unknown limits i.e., the Pacific Ocean. The same author tells us that Zabag was oriented toward the land of the Khmer, i.e., what is now Cambodia and southern Vietnam, in the same way that Sri Lanka is oriented toward Madurai in South India. That is to say that Zabag was to the east of the land of the Khmers across the sea.

Sung Dynasty works like those of Zhao Rugua and Zhou Qufei clearly place Sanfotsi along the Eastern Ship Route. Because of the dangers posed by the coral islands and outcroppings now known as the Spratly and Paracel islands, Chinese mariners avoided crossing the middle of the South China Sea. Instead they either hugged the coast from Quanzhou in Fujian to Vietnam to the markets of Zhangcheng (Tonkin) and Zhenla (Cambodia) -- a course known as the Western Ship Route. Or they sailed due south from Quanzhou stopping at Taiwan and the Philippines before going further south toward Maluku.

When Atisha came to study with Serlingpa, Suvarnadvipa was the center of a great trade empire. Earlier, near the end of the 7th century, Dharmapala, abbot of Nalanda university, is said to have ventured to Suvarnadvipa to study alchemy near the end of his life. In the 8th century, the South Indian monk Vajrabodhi studied for five months in Fo-hsi before traveling to China where he is said to have introduced Tantric Buddhism.

However, we should note that despite its popularity with Buddhists there is evidence of a great deal of religious plurality in Suvarnadvipa. Already mentioned was the contribution made by the Suvarnadvipa king toward maintenance of both Taoist and Buddhist temples in 1079. In 983, we hear from Chinese records that "the priest Fa-yu, returning from lndia where he had been seeking sacred texts, arrived at Sanfotsi where he met the Hindu priest Mi-mo-lo-shih-li, who after a short conversation gave him a petition expressing his desire to visit the Middle Kingdom and translate sacred books there."

Islamic writers, who elsewhere show much interest in religious practices, make no mention of the religion practiced in Zabag to this author's knowledge. Islamic terms for Buddhism like samani, budd, buddah, budhah, bahar, etc. are not used in describing Zabag, nor is any other specific term giving of the local religion with the exception that the inhabitants are sometimes called majus, which could be interpreted as "fire-worshipper."

Again I would assign this to the king's policy of attraction and the general pluralistic society that existed at the time. We know, for example, that while Atisha studied in Suvarnadvipa, there were prophecies of his eventual journey to Tibet. And when his studies were completed, Serlingpa himself is said to have advised Atisha to "go to the north. In the north is the Land of Snows [Tibet]."

Those who have followed this blog will know that I have suggested that the Suvarnadvipa king was interested in rallying Tibet and India behind his cause in stopping the Muslim juggernaut. Not because of any anti-Muslim viewpoint, indeed texts like the Arabian Nights and Buzurg ibn Shahriyar's Wonders of India indicate that Muslims found Zabag as a very friendly place. Also, I have suggested that the Suvarnadvipa king, under the identity of "Prester John," had actually conspired with Shi'ite Muslims to undermine the threat posed by Sunni expansion along the maritime trade routes.


Works of Serlingpa and impact

Besides his part in transmitting the Kalacakra doctrine, Serlingpa is credited with six original works that appear in the Tangur. The most impressive both in length of its title and content, and the scope of its exposition on Mahayana Buddhist philosopy is the Abhisamaya-alamkara-nama-prajnaparamita-upadesa-sastra-vritti-durbodha-aloka-nama-tika.

Some of Serlingpa's sayings that have been preserved might give us some insight on this thinking and teachings. On suffering, Serlingpa taught:

Adverse conditions are one's spiritual teacher,
Ghosts and possessor spirits, the Buddha's emanations.
Sickness is a broom clearing away negativity and obstructions,
The sufferings are ornamentation of ultimate reality's expanse.
These are the four thoroughly unenlightened factors,
They are essential to tame places that are far from dharma [law],
They are essential too in times of degeneration
To help bear negative samsara [repetition] and its misguided ways.

On the self and self-interest, Serlingpa teaches that one should instead focus on the other:

Self is the root of [all] negative actions;
It is the one thing to be discarded with decisiveness.
The other is a source of enlightenment;
It is the one thing to be embraced with enthusiasm.
These two teachings condense those to be relinquished and their antidotes,
They are vital in places afar from dharma
They are essential too in times of degeneration,
To help bear negative samsara and its misguided ways.

Serlingpa's pupil Kamala was the author of nine works in the Tangur, but Atisha must be considered Serlingpa's most important student. Not only does it appear that Serlingpa had the greatest impact on the training of Atisha, but it was in his kingdom and under his advice that Atisha brought the Sarma lineages to Tibet when Buddhism was under repression by King Langdarma. In his biography, it is said that Atisa upon hearing the name of Serlingpa immediately clasped his palms together at his crown and tears would fall in remembering his teacher's kindness. He credited Serlingpa with leading him to bodhicitta, the desire for enlightenment to help other beings.

Through his influence on Atisha and by introducing the Kalacakra philosophy, Serlingpa had a great impact on the development of the culture of modern Tibet, Mongolia, Bhutan, Nepal and parts of India; and indirectly on modern Western esoteric traditions.

Regards,
Paul Kekai Manansala
Sacramento

References

Chattopadhyaya, Alaka, Atīśa, and Chimpa. Atīśa and Tibet; Life and Works of Dīpaṃkara Śrījñāna in Relation to the History and Religion of Tibet, [Calcutta]: distributors: Indian Studies: Past & Present, 1967.

Newman, John. "A Brief History of the Kalachakra," in: Geshe Lhundup Sopa, et al.

The Wheel of Time: The Kalachakra in Context, Deer Park Books, 1985, 51-90.

Rost, Reinhold. Miscellaneous Papers Relating to Indo-China. London: Trübner & Co, 1886, 189-90.

Tan Yeok Seong, "The Srivijaya inscription of Canton (A.D. 1079)", Journal of Southeast Asian History 5,2 (1964): 21.

Lung-t'sing 龙精

In the Hirth and Rockhill translation of the Chu-fan-chi (Zhufanzhi) of Chau Ju-Kua, the title of the king of Sanfotsi (Sanfoqi) is given:

They style their king Lung-ts'ing (龙精). He may not eat grain, but is fed on sha-hu; should he do otherwise, the year would a dry one and grain dear. He also bathes in rose-water; should he use ordinary water, there would be a great flood.

Various explanations have been offered to explain the title Lung-ts'ing (long jing) including translations of local Sanfotsi words. Suggested meanings include "Dragon Sperm" and "Perfected Dragon."

More likely the term is an attempt to transliterate a native word. Hirth and Rockhill suggest the first part "lung" might be related to Malay arung "kings."

If we take the southern pronunciations, merchants from Quanzhou may have used something closer to "Lungzing," while "Lungzeng" would be a possible Canton version. The character ts'ing or jing 精 in the South would be pronounced zing, zeng, zin, etc. Lungzeng or Lungzing could have been an early corrupt rendering of "Lusung" or "Lusong." Otherwise the latter name appears correctly starting in the Ming Dynasty.

Thus, Lung-ts'ing may come from a title like "King of Luzon (Lusung)."

The name Lusung, as we have discussed previously in this blog, would refer to the sacred mountain of the Sanfotsi kingdom. There exists today other mountains, hills and geologic formations in the region with names that are cognate to lusung "mortar" including Mt. Lusong in Benguet, northern Luzon; Mt. Lesong in Bali and Batu Lesong in Malaysia. These names probably derive from the mortar-like shape of the landmarks.

The lusung or mortar-shaped sacred volcano in this case would be Mt. Pinatubo (and Mt. Arayat) located in the region and kingdom known as Sambali, the latter word giving rise to the Chinese name Sanfotsi (saam-bat-zi) in our estimation. The location was described as rich in alluvial gold. During the mid-10th century, Akbar al-Sin states that

"near Zabaj is a mountain called the Mountain of Fire, which it is not possible to approach. Smoke escapes from it by day and a flame by night, and from its foot comes forth a spring of cold fresh water and a spring of hot water."

The palace of the king of Zabag, again the Arab name for Sanfotsi, was described in Muslim texts as located at the water's edge of an estuary close enough to the "bay of Zabag" that saltwater flowed during high tide and freshwater during ebb. Such an estuary, it's been suggested earlier, was known in the local language as sapa, sabang or sapang from which the Arab place-name "Zabag" would be derived. Abu Zayd said that the kingdom of Zabag faced China, probably referring to the southern port of Canton, which would have been directly across the Nanhai (South Sea) to the northwest. This geographical description is confirmed by Mas'udi who states that the kings of the Khmer kingdom (Cambodia) face toward the kingdom of Zabag during their morning prayers i.e., toward the East, the sunrise.

As an aside, on Chau Ju-Kua's statement above that the king must eat sha-hu (sago) and bathe in rose-water to avoid famine and flood respectively, this is an example of the sacred king seen as an embodiment of nature and the kingdom. We find this concept widely spread in the galactic polities of Southeast Asia and the Pacific.

Regards,
Paul Kekai Manansala
Sacramento

References

Hirth, F. and W. W. Rockhill. Chau Ju-kua. His Work on the Chinese and Arab Trade in the 12th and 13th Centuries, entitled Chu-fan-chi, St. Petersburg, 1911.

Sambatyon River (Article)

The Sambatyon River is described in Jewish and Christian literature as a river of sand and rocks that stops flowing or solidifies on the Sabbath day. A similar river known as the Wadi al-Raml "River of Sand" is found in Islamic literature. This river was closely linked with the "lost" Ten Tribes of Israel.

According to the Jewish Encyclopedia, the first use of the name "Sambatyon" occurs in the Targum of pseudo-Jonathan to Ex. xxxiv. 10: "I will remove them from there and place them beyond the River Sambation."

Some think the name "Sambatyon" may be related to an earlier Sabbaticus river mentioned by Josephus and Pliny described as flowing according to a weekly schedule but Josephus states the river flows only on the Sabbath opposite what is said in other traditions. Neither Pliny or Josehphus describe a river of sand or stones. Josephus links the river with Jews during the time of Titus but not specifically with the Ten Tribes. Since the earliest times there has been disagreement on whether the Sambatyon and Sabbaticus rivers were related.

The first mention of a river of sand and stones connected in some way with the "lost tribes" actually occurs in Islamic literature. A group known as the "people of Moses" is mentioned in the Quran, and the commentator Muqatil bin Sulayman (767 CE) associates them with the lost tribes. He further places the people of Moses, numbering 70,000, beyond a river of sand in China. Several hadith tell of how the people of Moses dug a tunnel from the Temple Mount to or beyond China where they lived pious lives, and where Muhammed introduced them to Islam during his "night journey."

Muqatil b. Sulayman called the land of the people of Moses by the name Ardaf. The name resembles the location Arzaf mentioned in 4 Ezra 13 as the place to which the Ten Tribes escaped.

And, whereas, thou sawest that He gathered another peaceable multitude unto Him; those are the Ten Tribes which were carried away out of their own land in the time of Osea (Hoshea) the King whom Shalmaneser the King of Assyria led away captive, and he carried them over the waters, and so they came into another land. But they took this counsel among themselves, that they should leave the multitude of the heathen, and go forth into a further country. where never mankind dwelt, that they might there keep their statutes, which they never kept in their own land. And they entered into the Euphrates by the narrow passage of the river; for the Most High then showed signs for them, and held still the flood till they were passed over. Through that region there was a long way to go, a journey of a year and a half; and that country is called Arzaf [Latin Arzareth]. "Then they dwelt there until the last times; and now, when they are about to come again, the Most High will stop the channels of the river again, so that they may be able to pass over."

Ezra has a dream where a fire-breathing messianic figure arises from the stormy sea and carves a great mountain for an apocalyptic battle. After vanquishing a great host that had come against him on the mountain with a stream of fire from his mouth, the savior figure calls another "peaceable" multitude, an event widely interpreted as indicating the return of the Ten Tribes.

The Jewish traveler Eldad Hadani around the ninth century CE, mentions the people of Moses (beney Mosheh) living beyond the river of sand giving a complete tale combining many elements of the Hebrew and Islamic versions. Again, the Sambatyon River acts as a barrier sequestering the Ten Tribes and preventing their return to Israel.

Jewish texts like Pesikta Rabbati and Genesis Rabbah mention the tunneling story but in this case it is God who creates a tunnel from the land beyond Sambatyon which allows the Ten Tribes to return to the Mount of Olives in Jerusalem.

Eldad Hadani describes the thunderous noise made by the Sambatyon:

"...the river is full of large and small stones, thundering with stormlike, deafening noises by day and by night; it can be heard a day's journey away. The river flows with its noisy stones and sand all the six days of the week; on the Sabbath it ceases and rests until the termination of the Sabbath."

This and similar descriptions have led researchers like David Kaufmann to suggest that the flowing sand and stones were caused by volcanic action. In Ma'ase Nissim, Gershon Halevi states while traveling in India that two days from Seviliah he encountered the Sambatyon:

At some locations, I noticed a fire burning; other places appeared as rising smoke, and I was told that this is the smoke of the Gay Hinnom, like the mountains of Sicily in Italy. As we approached the town, which is near the Sambatyon, we heard turbulent, thundering noises. The closer we came to the town, the more deafening the noises became. Upon my inquiry I was told that this was the roar of the Sambatyon.

The belief that the Ten Tribes were held back both by the Sambatyon and also the Euphrates, and were able to cross these rivers only with the intervention of God brings to mind verses in Revelation which tell of the drying of the Euphrates to make way for the Kings of the East. In some accounts of Prester John, who is closely linked with the Ten Tribes beyond the river of sand/stones, it is said that his failure to reach Jerusalem was caused by his inability to cross the Euphrates.

Google satellite view of a modern-day "river of sand," the
Pasig River near Mt. Pinatubo south of Clark Field.



Pictures of the Sacobia-Bamban river

http://www.clarkab.org/photos/a35.jpg

http://pubs.usgs.gov/pinatubo/punong1/fig9b.jpg
Regards,
Paul Kekai Manansala
Sacramento

References

Singer, Isidore; Alder, Cyrus; (eds.) et al. The Jewish Encyclopedia, Funk and Wagnalls, New York, 1901-6.

Glossary: Mihraj

Medieval Islamic texts used the word Mihraj or similar forms like Mihrjan to describe the king of the Zabag empire in the East Indies. Mihraj may be a corruption of the Indian Maharaja "Great King." Writers of the time described the Mihraj's influence as extending over vast territories from the Indies to East Africa. Some of these claims are substantiated by physical evidence such as the written records of the kingdoms of Champa and Cambodia, and land grants in South and East India. According to the texts, Zabag and its southern neighbor Wakwak competed for the highly lucrative East African trade. Income from the mercantile trade made the Mihraj very wealthy at that time. In the One Thousand and One Nights and other Arabic literature the Mihraj along with the legendary Solomon are held as ideals of royal wealth. Sindbad visits the Mihraj on the "Isle of Mares" in one of most well-known of his voyages.

In the sea of Champa is the empire of Mihraj, the king of the islands, who rules over an empire without limit and has innumerable troops. Even the most rapid vessels could not complete in two years a tour round the isles which are under his possesssion. The territories of this king produce all sorts of spices and aromatics, and no other sovereign of the world gets as much wealth from the soil. -- Mas'udi, AD 943

Despite the wealth of the Mihraj, his capital is described as a 'town' in Muslim literature. His palace is located on the water's edge in an estuary, and from his patio he daily threw gold bars into the water to propitiate the sea. At low tide, the pile of gold was exposed for all to see, and when the king died the gold was distributed to all the people of the land. The greatness of the king was judged by the amount of gold so accumulated. In the capital, fisher folk living in their boats or homes over the water were exempted from taxes. The Mihraj was the model of the Fisher King, the "Lord of the Net." The rural setting of his kingdom is detailed by Abu Zaid who states that "patches of settlement succeed each other without interruption" and further mentions an "uninterrupted and regular succession of villages."

A very trustworthy man affirms that when the cocks crow at daybreak, as in our country, they call out to each other throughout the whole extent of a hundred parasangs [~500 kilometers]...In effect, there are no uninhabited places in this country and no ruins. He who comes into the country when he is on a journey, if he is mounted he may go wherever he pleases; if he is tired or if his mount has difficulty in carrying on, then he may stop wherever he wishes. -- Abu Zaid, 10th century

Policy of Attraction During the heyday of Zabag between about 800 CE to 1300 CE, the Mihraj maintained an "open door" policy, as mentioned above by Abu Zaid. Merchants were encouraged to enter and stay in the country. Idrisi states that in particular the merchants of China favored trading in the islands of Zabag:

It is said that when the states of affairs of China became troubled by rebellions and when tyranny and confusion became excessive in India, the inhabitants of China transferred their trade to Zabag and the other islands dependent on it, entered into relations with it, and familiarized themselves with its inhabitants bcause of their justice, the goodness of their conduct, the pleasantness fo their customs, and their facility in business. It is because of this that this island is so heavily populated and so often frequented by strangers. -- Idrisi, 12th century

Later during the Ming dynasty, the kingdom of Lusung, Zabag's successor, continued this policy and when the Spanish arrived in Luzon there existed merchant communities from China and Japan on land granted by the Lusung king. The large Chinese trading community of the Manila Bay was known as the Parian.

Lusung is situated in the southern seas not far from Chang-chou (in Fukien)...In the past, thousands of Fukienese merchants lived there for a long period without returning home, because the land was near and rich. They even had children and grandchildren. -- Ming-shi (Dynastic annals of the Ming Dynasty)

Not long after reaching the pinnacle of its power, Zabag was threatened by its powerful neighbor to the South. In the late 10th century, an attack by Wakwak prompted the Mihraj to send an embassy to the Sung dynasty requesting assistance. Such a policy of attraction appears to have been a necessary strategy for the Mihraj, whose trading empire was also under attack in the far West. Indeed both Wakwak and Zabag faced problems with their ancient East African spice routes due to the expansion of Islam. Wakwak for its part decided on massive military action. An expedition in the 10th century of fleet of one thousand ships was sent to the African Zanj coast and to Qanbalu, which by this time was nearly completely in Muslim hands. Arab merchants from Oman were taking over the trade.

Ibn Lakis has imparted to me some extraordinary pieces of information concerning them. It is thus that in 334 AH (945-6 CE) they came upon Qanbalu in a thousand ships and fought them with the utmost vigor, without however achieving their end, as Qanbalu is surrounded by a strong defensive wall around which stretches the water-filled estuary of the sea, so that Qanbalu is at the center of this estuary, like a fortified citadel." -- Kitab aja'ib al-Hind of Buzurg ibn Shahriyar (955 CE)

The vast Wakwak fleet traveled for one year to attack Qanbalu, Sofala and other Zanj settlements that were then dominated by Muslim traders. Such a costly expedition demonstrates the gravity of the situation to the Wakwak rulers. Certainly the Mihraj must have felt the same way. However, our thesis is that the Mihraj practiced a policy of attraction. His military might at the time was spent in protecting his home kingdom from Wakwak. He sent ambassadors to India and Tibet, made grants for temples there and some Zabag (Suvarnadvipa) kings are even said to have personally traveled to South Asia. Further west in Europe, the overtures of the Mihraj may be seen in the letters and ambassadors of "Prester John." There was nothing unusual in the Mihraj patronizing at the same time Buddhism, Christianity (Nestorianism), Hinduism, Jainism, animism, etc. This was not an uncommon practice among the medieval kings of the Indies. Later, Lusung continued this policy of attraction when the Portuguese arrived on the scene. By this time the ancient eastern routes in Africa had been lost, but Lusung still managed to monopolize the restricted trade with China. And it was still an important source of gold. King of the Mountain Chinese texts describing the king of Zabag (Sanfotsi) state that each ruler had images of themselves made in gold (anitos?). These images were consecrated to a "Buddha" called the "Hill of Gold and Silver" after the death of the ruler. The Southeast Asian concept of the "King of the Mountain" likely derives originally from the mountain custodians of indigenous customary law. The custodian/guardian/king was also often placed as priest of a sacred plot, terrace or temple on the mountain. The territory divided by the rivers flowing from the mountain were formed into districts under the ultimate influence of the king who ruled the entire banua. In the cosmic version of this kingship, the mountain becomes the axis mundi and the king a type of universal ruler. The territories under the king now include all those 'beneath the sky.' In the Pinatubo model, the districts around the mountain are eight in number divided by eight major rivers, which including Pinatubo itself gives a total of nine districts. Using the "Mt. Meru" concept, the cosmic mountain also consists of levels, which we can equate with mountain terraces, often given as seven in number -- the 'seven heavens.' Both the districts and levels can be viewed as if looking down from the sky in the symbolic form known as the mandala. 'Tantric' gold belt from pre-Hispanic gold collection of Philippine Central Bank. The triangles of the buckle represent the tiered mountain with six rows of dots/bindus decreasing by one as they ascend from the base of six dots. (Source: Laszlo Legeza's "Tantric elements in pre-Hispanic Philippine Gold Art," Arts of Asia, Jul-Aug 1988, p. 131) Triangular gold pendant of the 'Sri Yantra' type also from the Central Bank, with dot-triangles arranged in three rows starting from a base of three triangles and decreasing by one with each ascending row. (Source: Laszlo Legeza's "Tantric elements in pre-Hispanic Philippine Gold Art," Arts of Asia, Jul-Aug 1988, p. 131) The mandala was one of a series of animistic objects that symbolized or represented the cosmic mountain. These could be amulets, talimans, symbols, relics made of sacred materials from the mountain, even fire from the mountain itself. The objects were seen to have a life and even a mind and voice of their own. They are linked with the spiritual concept of the quest, both an inner and outer journey. Medieval Philippine gold sash finial with mandala design, from Butuan on the island of Mindanao. (Source: pupuplatter.blogspot.com) Gold waistcloth finial in "Mt. Meru" pattern from the Bangko Sentral ng Pilipinas. When viewed from above the ornament appears as a series of concentric circles. Finials of this type were illustrated in the 16th century Boxer Codex.(Source: pupuplatter.blogspot.com) The world divided into eight "climes" from Yamakoti/Kangdez. World divided into "trines" from Yamakoti/Kangdez. Regards, Paul Kekai Manansala Sacramento

Sambali

Now to review the clan situation in the traditional camp, we first have the union of the dragon/serpent and bird clans resulting in a lineage whose emblem is the dog. The joining of other clans to this confederacy may be symbolized by the marriage of a dog with an ancestral goddess.

One such union of great import is that involving a group of peoples having a bull emblem.

The Chinese texts state that Chiyou's totemic clan was divided into nine tribes with each tribe divided into nine sub-tribes. The Juili appear to have had an atomic structure similar to that known in Austronesian societies. The autonomy of the smaller social divisions was apparent to the Chinese observers.

Among the Sumerians and Hebrews the eastern sages from Dilmun and Eden are governed by a king associated with the mountain of God. In Sumerian lore, the mountain is associated both with Heaven and the Underworld. The image is that of a volcano shrouded with clouds around an entrance leading to the underground sweet waters -- the Abzu or Apsu.

The Abzu was envisioned as the source of all rivers and a type of river itself. The leader of the sages is the Lord of the River, the Lord of the Mountain and the Lord of Dilmun.

In the same sense, the leader of the angels in Hebrew legend is the "Prince of the Presence." He is closely associated with the fiery mountain of God in Eden.

In traditional Austronesian society, organization of districts and regions is ritual based as we have discussed earlier. The Nusantao organization appears similar. So closely was Chiyou associated with ritual that he is said to have founded religion in Chinese texts.

The hereditary ritual officers of the holy mountain logically set up the rules and protocol used by the traditional trading clans. The trade in itself is a spiritual enterprise, part of the great dual conflict. In this sense we see among the people even today a type of "cargo cult" mentality.

We can imagine, using known examples in this region, that such rules were minimal -- only those needed to foster the healthy workings of the confederacy. These were largely "thou shall not's" -- prohibitions and taboos deemed necessary to allow the clans to work together. Otherwise, the numerous subdivisions had significant autonomy to run their own administrations and the trade in their regions.

The "King of the Mountain" motif thus derives from the dog lineage which is itself derived from the high priestly clans of the fiery mountain of Eden, the entrance to the underground waters of life. The law is a ritual law that pervades the mundane world as trade was also a spiritual enterprise. Exchange is a means of expansion of the message.

Symbols are important and the holy volcano is represented by the spiral, the symbol of the dragon/serpent daughter of the Sun. The spiral is stylized into a series of concentric rings known as the Mt. Meru or Mt. Mandara motif in anthropological literature. Meru and Mandara are the mountains of the Gods in Indian religion.

Image Gallery

In latter times, the lore of the great "King of the East" continued in Hindu-Buddhist tradition. The Hindus knew the place of this tradition as a village (grama) called Sambhala. In Tibetan Buddhist belief it is called Shambhala, a mountain kingdom.

The location of Shambhala has been the object of much controversy. The Tsar of Russia at one time claimed to be the King of Shambhala. Imperial Japan also took on the mantle of Shambhala during its drive for expansion in Asia. For more on the location of this mysterious place, see the article below:

Great Shambhala

The mountain of Dilmun/Eden is a strong central focus for the traditional clan confederacy. It is a place of pilgrimmage associated with immortality. Gilgamesh ventured there in search of the waters of life. The messengers of Eden are also the guardians of the holy volcano -- part of the camp of Heaven.

Their opponents expelled from the mountain apparently set up their own camp initially somewhere to the east, probably to the southeast.

The land of the holy mountain is known as Sambali, and the kingdoms associated with it include Zabag, Sanfotsi, Mishima, Lusung and Rusun.


The eruption of Mt. Pinatubu from http://www.whoa.org/pinatubo/

Regards,
Paul Kekai Manansala
Sacramento