Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Saturday, July 01, 2006

Geomancy, Architectural (Glossary)

This article is focused on forms of geomancy in which buildings, particularly royal buildings, are pointed toward a specific geographic landmark.

The most widely-known example today is the orientation of mosques toward the qiblat-al-Mecca, the direction of Mecca.

A contention of this blog is that the Nusantao traders beginning in the Neolithic began spreading the idea of a sacred mountain, namely Mount Pinatubo, to different regions of the world. This concept gave rise to notions such as Dilmun and the Garden of Eden according to this theory.

Direction of Eden

Starting in the third century, Christian altars were placed in the east end of the church so that the people faced east toward the Garden of Eden while praying. For a time, in Byzantine churches, the bishop also faced east and then eventually the priest as well, so that they were not facing the congregation during services.

Although one could argue that Christians of that time had only vague ideas of Eden's location, they nevertheless had some conception of its location. And these concepts may date back at least to apocryphal books like Enoch and Jubilees with their references to the Mount of Eden, if not earlier.

Medieval European maps showed that Eden was not only in the Far East but also in the equatorial regions. Such thoughts may have influenced Protestant church architecture in which the pulpit was often located in the southeast corner of the church.

Direction of the Phoenix

In ancient China, the emperor and kings faced their thrones and palaces toward the South.

The South was the direction of Feng the Phoenix, the clan of the first king, Fu Hsi, and the emblem of the empress.

Emperor Shun, from legendary times, is especially noted for his position facing toward the South. This may refer to his capital in the Qi kingdom, which was at about the same longitude (117 East) as Mount Tai (Taishan), the location of the royal sacrifice of Fu Hsi "the dog-man sacrificer."

Kuahelani and the "Blue Mountain"

The Hawaiian royal palace faced the West and also overlooked the seashore. It is likely this orientation is rooted in ancient Hawaiian belief.

The Hawaiians of old had two orientation systems -- one involved land/sea (uka/kai) opposition and the other was an absolute reference based on east and west (hikina and komohana).

In the absolute orientation system, one faces toward the west as a reference, and thus 'akau "right" corresponds with "north" and hema "left" with "south."

The West is the direction of Kuaihelani the location of Paliuli "the Blue Mountain." The latter mountain is the Hawaiian equivalent of the Garden of Eden.

Located far to the West, it is said that one embarking from Kuaihelani "the floating land" sails for 40 days and then smells the kiele flowers of Hawai`i. Journeys to Kuaihelani from Hawai'i were usually made from Niihau or or Kauai according to ancient chants.

It was a land inhabited by the diminutive Menehune and the Muaimaia or "banana eaters." The voyager Hawaii-loa was said to have sailed from Kuaihelani, also known as Kahiki-honua-kele, to Hawai`i following Hoku'ula or Aldebaran (16° declination) toward the East.

Ancient temples known as luakini used for royal sacrifce were always built on the east-west axis although they could face in either direction.

The Kraton

The Kraton or royal palace of Yogyakarta is often said to face north. Actually it faces in the direction of Mount Merapi, the "Mountain of Fire," and thus orients a bit east of north.

Further north, the older Surakarta Kraton also faces northeast, although it is nearly due East of Mount Merapi.


Map shows the northeastern orientation of the Kasunanan and Mangkunagaran kratons of Surakarta marked by red stars. Click image for larger view.

Is there another ancient "Mountain of Fire" in which direction these palaces are oriented?

The throne of the Susuhunan kings of Surakarta was also said to face north which if this means the same "north" as that of the palaces would mean rather east of north.

Unfortunately little remains of earlier royal structures. The lone exception may be Kraton Ratu Boko, the Palace of the Heron King, although this structure looks very much like a temple.

If the main building of Kraton Ratu Boko, Batur Pendopo is used as a measure, this complex also faces north but a bit toward the West, probably pointing toward Mount Merapi.

The great Hindu temple complex of Prambanan has an outer wall that faces Northeast, although the temple structures themselves follow the Vedic and Hindu orientation towards the East as used in India where temple structures look to the East.


Diagram of the Prambanan temple complex, built maybe in the 9th century, showing the outermost rectangular gate where the main entrance of the complex was located on the northeast side. Source: http://www.borobudur.tv/

Regards,
Paul Kekai Manansala
Sacramento

References

Beckwith, Martha. Hawaiian Mythology, University of Hawaii Press, 1977, p. 79.

Kieckhefer, Richard. Theology in Stone: Church Architecture from Byzantium to Berkeley, Oxford, 2003, p. 154.

Pemberton, John. On the Subject of "Java", Cornell University Press, 1994, p. 98.

Valeri, Valerio, Kingship and Sacrifice: Ritual and Society in Ancient Hawaii, University of Chicago Press, 1985, p. 254.

Sunday, January 30, 2005

Architectural motifs

One can see similarities in architecture and motifs over these vast areas that seems to indicate rather continuous contacts. The interaction was probably linked with the Nusantao trade activity to some extent.

One example is the stave church of the north. Built in a manner similar to Viking ships with all wood joints and no nails. The tongue and groove method is employed. They resemble to a great extent Batak traditional architecture. The stave church is suspended on a low post base protected from soil rot by placement on stones. In the same way, the piles of a Batak home are placed on stones.

Both tend to be tiered and decorated with finials. The frames are pre-fabricated with the rest of the structure then built over the frames.


Model of Batak home


Fantoft stave church, Norway






The decorative motives in northern Europe going back at least to early Pictish times included the strong use of spirals and serpent/dragon coils. We see these also in the east starting at least by the Jomon and Neolithic periods.

The Picts also built houses on piles like the early pile dwellings of Italy, and some of these were suspended over water. The name "pict" refers to the tattoos painted over the entire body by these people.


Serpentine design from Urnes stave church

Borgun stave church

Batak house

Batak house during World War II

Beams of Batak house

Maori taihu canoe prow

Maori taurapa

Gold neck rings, Celtic La Tene culture

Jomon design

Jomon markings

Maori tattoo

Dragon coil on Dongson axe

The "Pictish Beast" entwined from Scotland

Recreation of a Pictish crannog home



Regards,
Paul Kekai Manansala
Sacramento

Tuesday, January 11, 2005

The Survival of Motifs

The motifs carried by the Nusantao have persisted thousands of years into modern times. In many cases, these motifs are propagated by people who have little idea of their origin or intended meaning.

Take, for example, the various representations of the divine volcano in the form of a mound-like dome topped with a pillar or similar motif. In the following image you will see from top to bottom and left to right, the Sanchi stupa in India, the U.S. Capitol dome, the Vatican, the Bagan Pagoda in Myanmar, the stupas of Borobodur and the Blue Mosque of Amman.



The number of interlinked motifs pertaining to the sacred mountain argues against independent invention, at least in all of the known cases. A random survey of some of the more commonly-found motifs at different distribution nodes shown in the table below suggests coincidence is unlikely as a blanket explanation. This is particularly true when we consider that many of the locations did not have local volcanoes. In half the examples below, the sacred mountain is not considered part of the local geography.

Distribution of Sacred Mountain Motifs
LocationMotifs

Egypt
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Mesopotamia
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India
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Java
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Philippines
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China
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Hawai'i
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Mesoamerica
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! Opening in cosmic mountain to Underworld
@ "Twin peaks" or "double merlon" motif
# Dual mountain openings to Underworld
$ Truncated pyramid as model of sacred mountain
% Sun rising from or residing in sacred mountain
^ Sun and Moon associated with dual sacred mountains
& Sacred mountain considered local
* "Water of life" associated with sacred mountain
= Cosmic tree of flower associated with sacred mountain
+ Sacred mountain viewed as fiery or as a volcano
- Sacred mountain linked with great heavenly war
? Venus linked with fiery mountain
> Sacred mountain viewed as divided into regions or layers


A list of large Holocene (post-Ice Age) period eruptions can be found at the Smithsonian Volcanism site. Of particular interest to me is the corrected radiocarbon date for a Pinatubo eruption at 3,550 BC with a 500 year margin of error. This event registers at magnitude 6 on the Volcanic Explosivity Index (VEI) making it a very powerful eruption at the same level as the 1991 eruptive episode.

The last eruption of near-by Mt. Arayat has not been dated by radiometric means. It is known to have been a Neolithic event as the volcanic strata associated with the episode contains no post-Neolithic artifacts. The boundaries of the Neolithic period for this region are not precisely known.

According to the legend, the great eruptions occured near the time when rice was first introduced into the area. The oldest regional dating for rice is about 3,000 BC, while in near-by Taiwan the dates are at 4,500 BC. Again these dates have significant margins of error. All evidence agrees though with a primarily Neolithic period expansion as suggested by Solheim with regard to the Nusantao.

That the motif-carrying Nusantao venturing over the Pacific revered their ancestors and were strongly clan-oriented might be indicated by the distribution of totem pole-making.

Totem poles carved from trees as pictographic clan records are found among Amerindians of the Pacific Northwest coast, the Ainu of northern Japan, the tribes of Borneo, the Maori of New Zealand, the Asmat of New Guinea, the Malagasy of Madagascar and among various peoples in West Africa.

Haida Totem Pole, Pacific Northwest Coast

Ifugao Totem Pole, Philippines

Maori Totem Pole

Totem Pole, Borneo


The totem pole served as a clan monument to revered ancestors especially recent ones. It was not worshipped neither was it meant as a substitute for oral genealogies.

Regards,
Paul Kekai Manansala
Sacramento